Please be aware that not all stock is currently displayed on this website due to a change-over to a new platform.
Back To Stock Listing Enquire About This Item Print This Page Email This Item

Settee Knole Italian 17 Century Silk Needlework Velvet Beige Duchal House


Settee Knole Italian 17 Century Silk Needlework Velvet Beige Duchal House


Dates
circa 1880
Dimensions
110.00cm high (43.31 inches high)
208.00cm wide (81.89 inches wide)
88.00cm deep (34.65 inches deep)
Description / Expertise
The Duchal House Knole settee, retaining its original, frame, castors & early-17th century, Italian, floral, silk embroidered panels

• This settee has been in the same house since it was made and survives in incredible original condition. The 19th century frame and castors, and early-17th century, needlework panels are all original.
• The original 17th century, Italian, floral, silk, hand embroidered panels are finely stitched and, unusually, retain their original blue and green colouring. They have been conserved by Janie Lightfoot and are in robust condition.
• This model of settee with single section, side wings hinged from the seat originated in the late-19th century, inspired by the original couch at Knole. Its early aesthetic, comfort and draught exclusion from the high backs and wings made it a popular statement piece in Great Halls, bedrooms and galleries in large country houses.
• The silk velvet is a beautiful, mink colour that blends with most decorative schemes.
• The settee has been re-upholstered by a specialist, French upholsterer in a mink, silk velvet as the original was threadbare. Velvet is impossible to photograph accurately. It is a beige, earthy, ochre colour and the nearest pantone is 15-1217 PG Mojave Desert.
• The French silk passmenterie comprising ruche, braids, tassel fringe and tie backs blends the colours in the velvet and the needlework.
• The settee is versatile as the wings can be adjusted so they are open or closed.
• The settee is extremely comfortable.
• It is sturdy and suitable for everyday use. The velvet has 100 years of life in it and the needlework panels also having been conserved and stablised.

Dimensions:
Open length 208 cm., 82 inches
Closed length 175 cm., 69 inches
Back Height 93.5 cm., 36 ½ inches,
Height to top of finial 110 cm., 43 ¼ inches
Seat Height 50 cm., 20 inches
Depth 88 cm., 34 ½ inches

The rectangular, upholstered back and sides are surmounted with the original turned finials. The upper sections of the inside back and sides are upholstered in fine and rare, early-17th century, Italian, floral, silk, embroidered panels which have been cleaned, conserved and stabilized by Janie Lightfoot a leading textile conservation workshop. The panels depict flowers that were fashionable in the 17th century such as peonies and tulips in garlands with classical, acanthus leaves.

The back, seat, outside back, sides and front are upholstered in a modern mink, silk velvet by a specialist, French upholsterer. The French silk trimmings are of the highest quality, harmonising the colours in the needlework panels and the velvet. The needlework panels are faced with a ruche, the sides and finials with braid, the front and sides with a shaped, tassel fringe the sides are secured with tie-backs. Standing on the original castors.

Settees of this type derive their name from the celebrated, original at Knole in Kent, the ancestral seat of the Sackvilles, which is thought to date from the first quarter of the 17th century. It combines the dual function of day-bed and settee, and is one of the earliest examples of English seat furniture incorporating fully upholstered seat, back and sides. During the late-16th-early 17th century a new form of day-bed was introduced to match the contemporary upholstered ‘X’ chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse’s engravings of domestic interiors but they were only found at Court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I’s execution a number of couches were included in the sale.

Lionel Cranfield who became the 1st Earl of Middlesex, Lord Treasurer and Master of the Great Wardrobe to James I, amassed an outstanding collection of furniture, paintings which was inherited by his daughter Francis who was married to Richard Sackville, 5th Earl of Dorset in 1637 and subsequently her son Charles Sackville. Through his appointment as Lord Chamberlain to William III and Queen Mary, Sackville acquired beds, tapestries, chairs and stools from Whitehall, Hampton Court and Kensington Palace bringing the contents to Knole. As a perquisite or ‘perk’ of the role of Lord Chamberlain Sackville was able to take any furniture which was deemed out of date or unsuitable from the royal palaces.

This is a fabulous example of an period ‘Knole’ settee, and it is exceedingly rare to find a 19th century version with the original needlework panels. In the mid-19th century, upholstered settees with high backs and adjustable sides were made for large country houses. This model of Knole settee originated in the 19th century with an adapted different form. The single piece arms hinged from the seat were designed for comfortable, draught free, seating and a Baroque aesthetic.

Literature: 17th Century Interiors & Decoration (Peter Thornton) ill 150 depicts the couch at Knole

Provenance: Duchal House, Renfrewshire is considered to be one of the loveliest Georgian mansions and estates in Scotland. Until recently, it was the home of the Maclay family for over 100 years. The settee was probably acquired by the shipping magnate Sir Joseph Maclay. who played a key role in the outcome of the First World War after Lloyd George made him head of a new Ministry of Shipping. Made a baronet for his service to public life in Glasgow, he was nicknamed "Holy Joe" as he made sure there was a Bible in every seaman's cabin. "He was always delighted when orders for more Bibles came through; little did he realise the seamen were using the rice-paper pages to roll cigarettes." Lloyd George visited the house and one of the bedrooms is named after him.


Medium
Velvet
Origin
United Kingdom
Condition
Good
Price
£15,000.00
Make An Enquiry